Flash Fiction

as in not mr gordon or those fleeting moments of inspiration that pass through your mind and you never write down but fiction of 1,000 words or less.

the commonly held general 'rules' are :

there must be a story, i.e. something has to happen
character is paramount
there is a setting, i.e. the story takes place somewhere

for the purposes of this blog these precepts can be ignored. the only rule is the 1,000 word limit. post your work, your comments and see what... occurs. that aside a funny thing happened on my way to the zoo.

to kick off i submit the following, first draft, needs work, comments/criticism appreciated.

House at the end of the street

The acacia trees remind me of home. I was stunned the first time I saw them, that they could even grow here. I thought the cold but then I realised it’s arid enough, arid of people. My girl tells me she moved here when she was five, innit geezer. She’s been partying for the last two years, mash up, and this country’s still so dry there should be a health warning attached. The first time that I met her I didn’t understand a word that she said.

That all changed one night. We were sat on the floor at Bim’s house and she was talking about how much she liked Bim’s yard and the batik’s on the wall and I was understanding one word in seven and there was a bottle of whiskey and some coke and Bim was drinking vodka and the music was I don’t know, from Senegal and a track by M.I.A. I recognised and I was thinking why Acton and the room wobbled slightly and she started to make sense. We should steal the acacia trees. Here was the plan, we set fire to the boarded up house at the end of the street and while everyone’s in the road watching it burn we dig them up. She had some meths in the car and a few firelighters.

Except for one or two details it was a good plan. Bim got up, collapsed on the sofa and stared at the wall. I thought about the earth surrounding my parents’ home village. When it rained it was as red and vivid as paint and as it dried fat beetles that looked like they’d been made out of tar crawled on the roads and like a pile of rusted paperclips the winding gear on the horizon sank into the wind and the red earth and I remember reading in one of my school books about sickle cell and thinking the dust in the dry season was like disfigured blood and my girl stood up and staggered outside to her car.

Ras, are you gonna fuckin gouch there or what. Her exact words, sounding like she was speaking into a jar. I followed her out and looked back through the open front door. Looking out through a doorway gives a sense of the world in a box, looking in, it’s like cutting out a piece from a photograph. Cutting up a piece from a photograph. Taking a photograph and then cutting it up. Something hit the back of my head.

Nah man, you drive. Her face crept into my field of vision. I’m mashed, you drive. Do me that favour can’t ya. What’re ya lookin at anyway, the car’s… turn around, the car’s stood behind ya. Stop chattin man. And her face crept back, leaving the keys in my hand.

I wondered if I was drunk. I’d been drunk once at a beer hall and kissed someone and pushed my hand between their thighs and woken up to a beating. I sat beneath the acacia tree the whole day and wouldn’t speak to anyone. My mother threw water over me and my father scolded her for wasting it, so she threw water over him and they argued and went inside and stopped arguing. I thought then there weren’t enough brothers and sisters.

She vomited. That was the first time I wondered if I’d fallen in love with her. How different the world would have been if I’d been a boy. Would my father have been so ashamed of me? Would the war not have happened? Would the night stop? She put her hand on my shoulder and vomited again in the gutter. Then she laughed. Her teeth are too white to laugh but she laughed and I opened the car for her and turned the key.

The acacia trees seemed larger in the half light. We sat at the end of the road looking at them, waiting. For the stub end of the moon to be flicked across the street and my girl looked happy twiddling with her cigarette lighter. She asked me what did the earth smell like after it rained. I don’t remember. I remember the bus lurching through ruts on its way past my home and wondering why everything happened, who the soldiers were fighting? I remember the first time I saw her. She shrugged and we sat there listening to the bird song, watching the acacia trees and she twiddled with her lighter, flipping the lid back, holding the flame in front of her face, and I kissed her and she didn’t say anything but stared at the police car pulling up and the police officers getting out.

Comments

Would the night stop?

The timing of that question was a jewel!!!! The acacia trees have a lovely sobering effect on the story. The first paragraph flows with a confidence that you know what you're writing, infact all of it does. As a story, interesting and heart stirring - There is a real palpability of the characters. So it appears that you have adhered to the rules outlined. The intermingling stray thoughts make sense to me, and gives texture. I had to read the paragraph about the parents twice, so maybe there was something there that didn't quite smoothly tack on. So narrator's female?! what?! - enjoyed the timing of that. Wondered if at the end if after the kiss 'the girl' DOES say something... Because there is a slight feeling that she's only the 'always mashed' character as a mechanism for the story, and not quite real... eileen

Maybe it wouldn't

In fact I have fairly rigidly adhered to the rules, it doesn't do to scare people! I was hoping one or two of the people whom I know of and who write at least some flashes that ignore at least one of the general rules might post something. Alas no-one has of yet. Perhaps they will in the near future.

There is a re-write (well, two) of the flash which I wil post in due course. 'The girl' is a device who in one re-write is more obviously a mechanism and in the other is very nearly a character.

End doesn't work though. Still re-writing.

In the meantime, making a distinction between flash fiction and micro fiction (usually less than 500 words, for some people not more than 200, in my case a series that are all exactly 104 words long) a micro fiction for the world (okay, the 11 people that log on to the site) to see.

terminal 1

how can i write this, the mamas and the papas on the radio playing some song i don’t know and the moonlight gone which was there half an hour ago and her skin melting close to my touch and my lips and her body forming a camber and sweat draining towards her thigh.

but then she may not exist, the bite on my nape could be the sun and the ache could have spread from my back and the sex smell could be the mistake i made drinking coffee, watching the planes take off and land and ghosts visible as reflections in the glass.

(version 2)

Flash Fiction

Is there another story about this character?

Flash Fiction

this is a fascinating diffused story

Flash Fiction

Hi Martin, The Acacia Tree story, has drama, some great images and characters I would like to get to know more (though maybe I wouldn't hang out with them!) I like the collapse of thinking and doing things, stream of conscious-y. Tell me why in the first section do the tenses move from present to past? I'd be interested in your thought processes there. 'The acacia trees remind me... My girl tells me..' 'That all changed one night'....

Pete

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